This study, first published in 2000, examines the role of language as an instrument of empire in eighteenth-century British literature.This study explores the complex role of language as an instrument of empire in eighteenth-century British literature. Focusing on the relationship between England and one of its 'celtic colonies', Scotland, Janet Sorensen examines how the expansion of the British empire influenced the formation of a national standard English. The book demonstrates the ambivalence at the heart of British linguistic identity, moving from a close analysis of Scottish writers Alexander MacDonald, Adam Smith, Hugh Blair, and Tobias Smollett to a revised understanding of the language-use of Samuel Johnson and Jane Austen.This study explores the complex role of language as an instrument of empire in eighteenth-century British literature. Focusing on the relationship between England and one of its 'celtic colonies', Scotland, Janet Sorensen examines how the expansion of the British empire influenced the formation of a national standard English. The book demonstrates the ambivalence at the heart of British linguistic identity, moving from a close analysis of Scottish writers Alexander MacDonald, Adam Smith, Hugh Blair, and Tobias Smollett to a revised understanding of the language-use of Samuel Johnson and Jane Austen.This study explores the complex role of language as an instrument of empire in eighteenth-century British literature. Focusing on the relationship between England and one of its Celtic colonies, Scotland, Janet Sorensen examines how the expansion of the British empire influenced the formation of a national standard English. The book demonstrates the ambivalence at the heart of British linguistic identity, moving from a close analysis of Scottish writers Alexander MacDonald, Adam Smith, Hugh Blair, and Tobias Smollett to a revised understanding of the language use of Samuel Johnson and Jane Austen.Introduction; 1. Scripting identity?: Englishlc)