Greek Sculpture presents a chronological overview of the plastic and glyptic art forms in the ancient Greek world from the emergence of life-sized marble statuary at the end of the seventh century BC to the appropriation of Greek sculptural traditions by Rome in the first two centuries AD.
- Compares the evolution of Greek sculpture over the centuries to works of contemporaneous Mediterranean civilizations
- Emphasizes looking closely at the stylistic features of Greek sculpture, illustrating these observations where possible with original works rather than copies
- Places the remarkable progress of stylistic changes that took place in Greek sculpture within a broader social and historical context
- Facilitates an understanding of why Greek monuments look the way they do and what ideas they were capable of expressing
- Focuses on the most recent interpretations of Greek sculptural works while considering the fragile and fragmentary evidence uncovered
List of Illustrations ix
Preface xxv
1 Beginnings and Before: Greek Sculpture in the Iron Age (circa 1000–600) 1
2 The Search for Order: Sculptural Schemata and Regional Styles (circa 600–550) 23
3 Free?-Standing Sculpture in the Later Sixth Century: Style and Panhellenism (circa 550–500) 46
4 Sixth?-Century Architectural Sculpture 68
5 The Change to Classical: Democratic Athens and the Persian Conflict (circa 500–460) 89
6 The Temple of Zeus at Olympia: Panhellenism and the Early Classical (circa 470–450) 112
7 Classical Moment I: The Parthenon, Pericles, and the Power of Persuasion (circa 450–430) 135
8 Classical Moment II: SlF