Hitler's Dancers German Modern Dance and the Third Reich [Paperback]

The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.

Jonathan Steinbergis Walter H. Annenberg Professor of Modern European History, University of Pennsylvania.

Marion Kantwas raised in East Berlin and began dancing at the Comic Opera at the age of 14. She took her PhD at Humboldt University in musicology and dance history and has taught at the Free University of Berlin, Kings College London, Cambridge University, the University of Surrey and now at the University of Pennsylvania.

Translator's Foreword
Jonathan Steinberg

Preface
Marion Kant

PART I RECOLLECTIONS
Lilian Karina

Introduction
How this work came about
Have artists an interest in political and social circumstances?
The Faces of my Past

Chapter 1. A Historical Overview of the Labanist Period
Pre Labanism: The Rise of the Culture of the Body (1900-1920)
The Era of Labanism at its Peak: the Development of New Dance, Modern and Stage Dance (1920s-1937)
Opposition to Labanism  Realistic Dance Theater