The newly expanded and revised edition of The Hollywood War Machineincludes wide-ranging exploration of numerous popular military-themed films that have appeared in the close to a decade since the first edition was published. Within the Hollywood movie community, there has not been even the slightest decline in well-financed pictures focusing on warfare and closely-related motifs. The second edition includes a new chapter on recent popular films and another that analyzes the relationship between these movies and the bourgeoning gun culture in the United States, marked in recent years by a dramatic increase in episodes of mass killings.
CONTENTS Preface Chapter One: Media Culture in the Imperial System Chapter Two: Militarism in American Popular Culture Chapter Three: War and Cinema: The Historical Legacy Chapter Four: The Vietnam Syndrome: Politics and Cinema Chapter Five: Recycling the Good War Chapter Six: Cinematic Warfare in the New World Order Chapter Seven: Hollywood After 9/11
Praise for the First Edition
This politically informed book demonstrates how war movies are more than just entertainment. They serveintentionally or notas a cultural weapon of global empire. Clearly written, richly researched, and persuasively argued, The Hollywood War Machine is a feast for any opponent of militaristic propaganda.
Michael Parenti, author of Superpatriotismand The Culture Struggle
From Tom Cruise in Top Gun down to United 93, about the 9/11 terrorist attacks, Hollywood has played a crucial role in implanting militarism, hypermasculinity, and racism deep in the American psyche. Carl Boggs and Tom Pollards The Hollywood War Machine is an invaluable contribl$
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