This volume examines the transmission, reception, and reproduction of new cinematic styles, meanings, practices, and norms in early twenty-first-century Asia. Hong Kong and Bollywood offers new answers to the field of inter-Asian cultural studies, which has been energized by the trends towards transnationalism and translatability. It brings together a team of international scholars to capture the latest development in the film industries of Hong Kong and Mumbai, and to explore similar cross-cultural, political, and socioeconomic issues. It also explains how Hong Kong and Bollywood filmmakers have gone beyond the traditional focus on nationalism, urbanity and biculturalism to reposition themselves as new cultural forces in the pantheon of global cinema.
1 Situating Hong Kong and Bollywood Cinemas in the Global Satish Kolluri and Joseph Tse-Hei Lee
Part I The Politics of Representation and Representation of Politics
2 The Trajectory of Bollywood Lyrics Ali Mir and Raza Mir
3 Transformation of Hong Kong Gangster Films before and after CEPA Kinnia Shuk-Ting Yau
4 Despair and Hope: Political Cinema in Hong Kong Joseph Tse-Hei Lee
5 Chinaman, not Hindustani: Stereotypes and Solidarity in a Hong Kong Film on India S. V. Srinivas
6 1911: Cinematic Contradictions of Greater China Siu-Keung Cheung
Part II: The Crisis of Representation and Representation of Crisis
7 What is so Asian about Asian Parenting? Deconstructing Tiger Moms and Tiger Dads in Neoliberal Times through Taare Zameen Par and I Not Stupid Satish Kolluri
8 Negotiating Cold War and Post/Colonial Politics: Borders and Boundaries in 1950s Hong Koló¬