Idleness, Contemplation and the Aesthetic, 17501830 [Paperback]

This study traces the ways in which Romantic writers responded to a debate over the dangers and rewards of idle contemplation.Traces the ways in which Romantic writers responded to a debate over the dangers and rewards of idle contemplation, and examines the resulting growth of a 'British idealism'.Traces the ways in which Romantic writers responded to a debate over the dangers and rewards of idle contemplation, and examines the resulting growth of a 'British idealism'.Beginning with Adam Smith's dictum that labour was the most significant human occupation, and William Cowper's idealisation of 'The Task', Richard Adelman traces the ways in which Romantic writers responded to a debate over the dangers and rewards of idle contemplation taking place in the second half of the eighteenth and beginning of the nineteenth centuries. Evolving over a series of discourses which the book considers at length  Scottish Enlightenment political economy, penal and educational reform debates, literature, British and German aesthetic theory, social philosophy  this debate precipitates the growth of a 'British idealism' in these decades. Exploring the thought of Adam Smith, Jeremy Bentham, Friedrich Schiller, William Cowper, Samuel Taylor Coleridge, Mary Wollstonecraft, and many of their contemporaries, this study analyses the chain of events that leads to this 'British idealism', and considers its social and political consequences in the cultural theory of the first decades of the nineteenth century.Introduction; 1. The division of labour; 2. Utilitarian education and aesthetic education; 3. Cowper, Coleridge and Wollstonecraft; 4. Coleridge's pantisocracy, biographia and church and state; Conclusion; Epilogue: Wordsworth and Kingsley. ..explores the importance of the concept of idle contemplation as civilizing activity in late-eighteenth-century and Romantic philosophy and aesthetics.
-- Studies in English Literature An attentive reader of Idleness, Contemplation and thlãQ