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Image and Mind Film, Philosophy and Cognitive Science [Paperback]

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  • Category: Books (Performing Arts)
  • Author:  Currie, Gregory
  • Author:  Currie, Gregory
  • ISBN-10:  0521057787
  • ISBN-10:  0521057787
  • ISBN-13:  9780521057783
  • ISBN-13:  9780521057783
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  332
  • Pages:  332
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2008
  • Pub Date:  01-May-2008
  • SKU:  0521057787-11-MPOD
  • SKU:  0521057787-11-MPOD
  • Item ID: 101413884
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jul 09 to Jul 11
  • Notes: Brand New Book. Order Now.
This book develops a theory of the nature of the cinematic medium, of the psychology of film viewing, and of film narrative.This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film which have dominated discussion over the last twenty years.Professor Currie provides a general theory of pictorial narration and its interpretation in both pictorial and linguistic media, and concludes with an analysis of some ways in which film narrative and literary narrative differ.This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film which have dominated discussion over the last twenty years.Professor Currie provides a general theory of pictorial narration and its interpretation in both pictorial and linguistic media, and concludes with an analysis of some ways in which film narrative and literary narrative differ.This is a book about the nature of film: about the nature of moving images, about the viewer's relation to film, and about the kinds of narrative that film is capable of presenting. It represents a very decisive break with the semiotic and psychoanalytic theories of film that have dominated discussion over the past twenty years. Professor Currie provides a general theory of pictorial narration and its interpretation in both pictorial and linguistic media, and concludes with an analysis of some ways in which film narrative and literary narrative differ.Introduction: the essence of cinema; Part I: Representation in Film; 1. The myth of illusion; 2. The imprint of nature; 3. Realism; 4. Languages of art and languages of film; Part II: Imaginationl3*
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