Ethics and Rock Art: Images and Power?addresses the distinctive ways in which ethical considerations pertain to rock art research within the larger context of the archaeological ethical debate. Marks on stone, with their social and religious implications, give rise to distinctive ethical concerns within the scholarly enterprise as different perceptions between scholars and Native Americans are encountered in regard to worldviews, concepts of space, time, and in the interpretation of? the imagery itself.? This discourse addresses issues such as the conflicting paradigms of oral traditions and archaeological veracity, differing ideas about landscapes in which rock art occurs, the intrusion of desired knowledge, and how the past may be robbed by changing interpretations and values on both sides. Case studies are presented in regard to shamanism and war-related imagery. Also addressed are issues surrounding questions of art, aesthetics, and appropriation of imagery by outsiders. Overall, this discourse attempts to clarify points of contention between Euro-American scholars and Native Americans so that we can better recognize the origins of differences and thus promote better mutual understanding in these endeavors.??1.IntroductionIs it art?2. Ethics, Worldviews and Ways of KnowingCultural Landscapes, Cultural SpacesJudeo-Christian vs. American Indian Perspectives on Time and Space3. The Interpretation GameSome HistoryStrategies for Rock Art InterpretationGoals and Confusions: Conflicting ParadigmsRobbing the Non-material Past: Case Studies: Shamanism, WarfareRe-inventing the Past: Change, Desired Knowledge and Identity4. The Use and Re-Use of Imagery5. Discussion6. Conclusions
Polly Schaafsmas book on rock art and ethics is a thin volume but it packs in a lot of heavy food for thought. & this is an in-depth discussion of some of the most complex and contentious issues facing those who study, manage, or have an interest in rock art. The work is strongly andl³2