The Invisible God The Earliest Christians on Art [Hardcover]

This revisionist study challenges the received opinion that in its earliest manifestations Christianity was a form of religiosity opposed both on principle and in fact to the use of pictures. Paul Corby Finney argues that the well-known absence of Christian pictures before A.D. 200 is due to a complex interplay of social, economic, and political factors, and is not, as is commonly assumed, a result of an anti-image ideology. The book documents the origins of Christian art based on some of the oldest surviving Christian archaeological evidence, and it seeks to show how the Christian products conformed to the already-existing pagan types and models. This study will interest scholars and students in the fields of church history, ancient history, archaeology, art history, classics, and historical theology.

This book is the fruit of many years of work by a scholar who is equally at home in the history and literature of the Early Church and in the art and archeology of the surviving monuments. Finney asks basic and searching questions concerning the process whereby Christian art came into being and explores them in depth. --Ernst Kitzinger

Strong erudition and detailed illustration of his thesis bolster Finney's impressive work. --The Bible Today

Finney's work rightly shatters some paradigms and offers significant new insights into the nature and function of early Christian art. Because Finney is so well versed in both early Christian literature and art history he is the right person to do both. This is a ground-breaking work whose thesis should supplant all earlier scholarship on the matter of Christian attitudes toward the visual arts. As a dedicated student of Christian iconography, I feel as if someone has cleared a lot of old dead wood off the land, and made it ready to receive the seeds of new, fresh speculations. --ChristianSpirituality Bulletin

Impressive and meticulous....The work is a model of clCž