A Dance of Assassins presents the competing histories of how Congolese Chief Lusinga and Belgian Lieutenant Storms engaged in a deadly clash while striving to establish hegemony along the southwestern shores of Lake Tanganyika in the 1880s. While Lusinga participated in the east African slave trade, Storms secret mandate was to meet Henry Stanleys eastward march and trace a white line across the Dark Continent to legitimize King Leopolds audacious claim to the Congo. Confrontation was inevitable, and Lusinga lost his head. His skull became the subject of a sinister evolutionary treatise, while his ancestral figure is now considered a treasure of the Royal Museum for Central Africa. Allen F. Roberts reveals the theatricality of early colonial encounter and how it continues to influence Congolese and Belgian understandings of history today.
A Dance of Assassins is an engaging, vigorously researched historical ethnography that uses a set of micro-level events and interactions to reveal the complexity and nuances of the early colonial encounter in what would become the Belgian Congo. This book would be of interest to upper-level undergraduates, graduate students, and scholars in African Area Studies, Anthropology, History, Museum Studies, and even Performance Studies.
Acknowledgments
Introduction
Part I. The Emperor Strikes Back
1. Invitation to a Beheading
2. A Conflict of Memories
3. Histories Made by Bodies
4. Tropical Gothic
5. Storms the Headhunter
Part II. Remembering the Dismembered
6. The Rise of a Colonial Macabre
7. Art ?vo on the Chauss?e dIxelles
8. Lusingas Lasting Laughs
9. Composing Decomposition
10. Defiances of the Dead
Appendix A: Some Background on Our Protagonists
Appendix B: A Note on Illustrations
Glossary
Notes
Bibliography
Index
At the end of the day, A Dance of Assassins makes a compelling case for the necessity of ethnographyquality ethnographyin the interls+