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British Musical Modernism The Manchester Group and their Contemporaries [Paperback]

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  • Category: Books (Music)
  • Author:  Rupprecht, Philip
  • Author:  Rupprecht, Philip
  • ISBN-10:  1316649520
  • ISBN-10:  1316649520
  • ISBN-13:  9781316649527
  • ISBN-13:  9781316649527
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  508
  • Pages:  508
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2017
  • Pub Date:  01-May-2017
  • SKU:  1316649520-11-MPOD
  • SKU:  1316649520-11-MPOD
  • Item ID: 100169062
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Apr 03 to Apr 05
  • Notes: Brand New Book. Order Now.
The first in-depth historical analysis of British art music post-1945, providing a group-portrait of eleven composers ranging from avant-garde to pop.This panoramic study of musical modernism synthesizes cultural, biographical, and analytic perspectives to provide a group portrait of the leading figures in post-war British art music. Philip Rupprecht explores the music of the Manchester Group and other composers in works spanning sixties theatricality through to seventies pop, electronic and post-minimalist music.This panoramic study of musical modernism synthesizes cultural, biographical, and analytic perspectives to provide a group portrait of the leading figures in post-war British art music. Philip Rupprecht explores the music of the Manchester Group and other composers in works spanning sixties theatricality through to seventies pop, electronic and post-minimalist music.British Musical Modernism explores the works of eleven key composers to reveal the rapid shifts of expression and technique that transformed British art music in the post-war period. Responding to radical avant-garde developments in post-war Europe, the Manchester Group composers - Alexander Goehr, Peter Maxwell Davies, and Harrison Birtwistle - and their contemporaries assimilated the serial-structuralist preoccupations of mid-century internationalism to an art grounded in resurgent local traditions. In close readings of some thirty-five scores, Philip Rupprecht traces a modernism suffused with the formal elegance of the 1950s, the exuberant theatricality of the 1960s, and - in the works of David Bedford and Tim Souster - the pop, minimalist, and live-electronic directions of the early 1970s. Setting music-analytic insights against a broader social-historical backdrop, Rupprecht traces a British musical modernism that was at once a collective artistic endeavor, and a sounding myth of national identity.Introduction; 1. Between nationalism and the avant garde: defining British modernism; 2. Post-l%
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