Pious Nietzsche Decadence and Dionysian Faith [Paperback]

Bruce Ellis Benson puts forward the surprising idea that Nietzsche was never a godless nihilist, but was instead deeply religious. But how does Nietzsche affirm life and faith in the midst of decadence and decay? Benson looks carefully at Nietzsche's life history and views of three decadents, Socrates, Wagner, and Paul, to come to grips with his pietistic turn. Key to this understanding is Benson's interpretation of the powerful effect that Nietzsche thinks music has on the human spirit. Benson claims that Nietzsche's improvisations at the piano were emblematic of the Dionysian or frenzied, ecstatic state he sought, but was ultimately unable to achieve, before he descended into madness. For its insights into questions of faith, decadence, and transcendence, this book is an important contribution to Nietzsche studies, philosophy, and religion.

[T]his is a rewarding study. . . . Karl Jaspers observed that 'in the end one cannot help but ask how a man who is by no means representative can still become as overwhelmingly significant as though he spoke for humanity itself.' . . . this remark puts us on the trail of answering the question of why our discovery of a pious Nietzsche might matter. . . . Bruce Benson will prove to be a helpful guide along that trail.Nov./Dec. 2009In sum: Nietzsche sought to know, follow, pray to Dionysus, god of Life, through a musical ask sis, and, in doing so, he transplanted a form of Pietism onto the soil of Dionysus or, better, cultivated the apparently alien form of Dionysus on the soil of native Pietism. He may not have succeeded in overcoming his childhood Pietism. But it is what Nietzsche was about, even if he did not fully know it.11/22/09Bruce Benson has turned out a provocative and major study of Nietzsche, presenting nothing less than the prayers of tears of Friedrich Nietzsche. This groundbreaking work, which demonstrates the deeply religious character of Nietzsche as a new religiosity that issues from his critique of thel“'