Producing Women's Poetry, 1600}}}1730 Text and Paratext, Manuscript and Print [Paperback]

Gillian Wright combines literary and bibliographical approaches to examine the work of five English women poets in the period 16001730.In the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries, Gillian Wright combines traditional literary and bibliographical approaches to discuss key figures Anne Bradstreet, Katherine Philips and Anne Finch alongside lesser-known poets Anne Southwell and Mary Monck.In the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries, Gillian Wright combines traditional literary and bibliographical approaches to discuss key figures Anne Bradstreet, Katherine Philips and Anne Finch alongside lesser-known poets Anne Southwell and Mary Monck.Producing Women's Poetry is the first specialist study to consider English-language poetry by women across the seventeenth and early eighteenth centuries. Gillian Wright explores not only the forms and topics favored by women, but also how their verse was enabled and shaped by their textual and biographical circumstances. She combines traditional literary and bibliographical approaches to address women's complex use of manuscript and print and their relationships with the male-generated genres of the traditional literary canon, as well as the role of agents such as scribes, publishers and editors in helping to determine how women's poetry was preserved, circulated and remembered. Wright focuses on key figures in the emerging canon of early modern women's writing, Anne Bradstreet, Katherine Philips and Anne Finch, alongside the work of lesser-known poets Anne Southwell and Mary Monck, to create a new and compelling account of early modern women's literary history.Introduction; 1. The resources of manuscript: Anne Southwell, readership and literary property; 2. The material muse: Anne Bradstreet in manuscript and print; 3. The extraordinary Katherine Philips; 4. The anxielÓr