Through a series of imaginative approaches to movement and performance, choreographer Deborah Hay presents a profound reflection on the ephemeral nature of the self and the body as the locus of artistic consciousness. Using the same uniquely playful poetics of her revolutionary choreography, she delivers one of the most revealing accounts of what art creation entails and the ways in which the body, the center of our aesthetic knowledge of the world, can be regarded as our most informed teacher.
My Body, The Buddhist becomes a way into Hay's choreographic techniques, a gloss on her philosophy of the body (which shares much with Buddhism), and an extraordinary artist's primer. The book is composed of nineteen short chapters ( my body likes to rest, my body finds energy in surrender, my body is bored by answers ), each an example of what Susan Foster calls Hay's daily attentiveness to the body's articulateness. A premiere choreographer's compelling argument for the agency of the body in creative processes.Foreword – Susan Leigh Foster Acknowledgements Introduction My Body Benefits in Solitude My Body Finds Energy in Surrender My Body Enjoys Jokes, Riddles, and Games My Body Engages in Work My Body Commits to Practice My Body Seeks Comfort But Not For Long My Body is Limited by Physical Presence My Body Knowingly Participates in its Appearances My Body Likes Rest My Body is Bored by Answers My Body Seeks More Than One View of Itself My Body Delights in Resourcefulness My Body Trusts the Unknown My Body Feels Weightless in the Presence of Paradox My Body Equates Patience with Renewal My Body Hears Many Voices, Not One Voice My Body Relaxes When Thoughts Abate My Body is Held in the Present A Chronicle of Performance Practices by Deborah HayDEBORAH HAY's choreography, from exquisitely meditative solos to dances for large groups of untrained and trained dancers, explores the nature of experielC&