This
Companion provides an original and authoritative survey of twentieth-century American drama studies, written by some of the best scholars and critics in the field.
- Balances consideration of canonical material with discussion of works by previously marginalized playwrights
- Includes studies of leading dramatists, such as Tennessee Williams, Arthur Miller, Eugene O'Neill and Gertrude Stein
- Allows readers to make new links between particular plays and playwrights
- Examines the movements that framed the century, such as the Harlem Renaissance, lesbian and gay drama, and the solo performances of the 1980s and 1990s
- Situates American drama within larger discussions about American ideas and culture
List of Illustrations x
Notes on Contributors xii
Foreword by Molly Smith xvii
Acknowledgments xix
1. Introduction: The Changing Perceptions of American Drama 1
David Krasner
2. American Drama, 1900–1915 3
Mark Evans Bryan
3. Ethnic Theatre in America 18
Rachel Shteir
4. Susan Glaspell and Sophie Treadwell: Staging Feminism and Modernism, 1915–1941 34
J. Ellen Gainor and Jerry Dickey
5. American Experimentalism, American Expressionism, and Early O’Neill 53
Deanna M. Toten Beard
6. Many-Faceted Mirror: Drama as Reflection of Uneasy Modernity in the 1920s 69
Felicia Hardison Londré&llă4