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Conceptual Art Theory, Myth, and Practice [Paperback]

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  • Category: Books (Art)
  • ISBN-10:  0521530873
  • ISBN-10:  0521530873
  • ISBN-13:  9780521530873
  • ISBN-13:  9780521530873
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  380
  • Pages:  380
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2003
  • Pub Date:  01-May-2003
  • SKU:  0521530873-11-MPOD
  • SKU:  0521530873-11-MPOD
  • Item ID: 100744698
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jul 04 to Jul 06
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A consideration of the relationship between Conceptual art and the context of the 1960s and 1970s.Conceptual art was a loose collection of related practices that emerged worldwide during the 1960s and 1970s. This collection of essays offers readers a wealth of new research on the earliest international exhibitions of Conceptual art, new interpretation of some of its most important practitioners, and a reconsideration of the relationship between Conceptual art and the intellectual and social context of the 1960s and 1970s. Of special note are the contributions focusing on the explicitly social and political aspirations of this influential avant-garde artistic practice.Conceptual art was a loose collection of related practices that emerged worldwide during the 1960s and 1970s. This collection of essays offers readers a wealth of new research on the earliest international exhibitions of Conceptual art, new interpretation of some of its most important practitioners, and a reconsideration of the relationship between Conceptual art and the intellectual and social context of the 1960s and 1970s. Of special note are the contributions focusing on the explicitly social and political aspirations of this influential avant-garde artistic practice.Conceptual art consisted of a loose collection of related practices that emerged worldwide during the 1960s and 1970s. This collection of essays offers readers a wealth of new research on the earliest international exhibitions of Conceptual art; new interpretations of some of its most important practitioners; and a reconsideration of the relationship between Conceptual art and the intellectual and social context of the 1960s and 1970s. Of special note are the contributions that focus on the explicitly social and political aspirations of this influential avant-garde artistic practice.Introduction: 'An Invisible College in an Anglo-American World'; Part I. Artists, Object, Spectator: 1. The formalist connection and originary myths of Cl#
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