An inquiry into copyright infringement, from perspectives including law, literature, history, economics, music, and modern art.Alongside that of lawyers, an understanding of the changing nature of copyright infringement requires the inputs of economists, historians, technologists, sociologists, cultural theorists and criminologists. In this examination of the topic, specialists in such disciplines offer their appraisals, and a lawyer provides a commentary on each.Alongside that of lawyers, an understanding of the changing nature of copyright infringement requires the inputs of economists, historians, technologists, sociologists, cultural theorists and criminologists. In this examination of the topic, specialists in such disciplines offer their appraisals, and a lawyer provides a commentary on each.Copyright has been the subject of interdisciplinary inquiry, but generally from the perspective of authorship'. This volume takes a different tack, examining the concept of infringement and its cousins, imitation and inspiration, from a variety of approaches. Rather than proposing a litany of discrete chapters each independently covering a different discipline, the Editors have planned each chapter to pair lawyers' and non lawyers' perspectives, so that each commentator addresses and critiques his or her counterpart's analysis.Part I. Introduction: 1. Inspiration or infringement: the plagiarist in court Isabella Alexander; Part II. History: 2. Nineteenth-century Anglo-US copyright relations: the language of piracy versus the moral high ground Catherine Seville; 3. Language, practice and history Adrian Johns; Part III. Comparative Law: 4. The metamorphosis of contrefa?on in French copyright law David Lefranc (translated by Sebastien Oddos); 5. A common lawyer's perspective on contrefa?on Jane Ginsburg; Part IV. Economics: 6. Copyright infringement, 'free-riding' and the lifeworld Anne Barron; 7. Copyright and the limits of law-and-economics analysis Jonathan Aldred; Part Vlă«