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Occult Knowledge, Science, and Gender on the Shakespearean Stage [Hardcover]

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  • Category: Books (Literary Criticism)
  • Author:  Floyd-Wilson, Mary
  • Author:  Floyd-Wilson, Mary
  • ISBN-10:  1107036321
  • ISBN-10:  1107036321
  • ISBN-13:  9781107036321
  • ISBN-13:  9781107036321
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  250
  • Pages:  250
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-Jun-2013
  • Pub Date:  01-Jun-2013
  • SKU:  1107036321-11-MPOD
  • SKU:  1107036321-11-MPOD
  • Item ID: 100846486
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jul 03 to Jul 05
  • Notes: Brand New Book. Order Now.
Mary Floyd-Wilson's groundbreaking study explores occult beliefs and their relation to women and scientific knowledge in six early modern plays.Intended for scholars of literature, gender, and science history, this book argues that Renaissance drama participates in natural philosophy's production of epistemological boundaries. The representation of preternatural phenomena not only demonstrates a belief in occult forces, but it also suggests that presumptions about women's secret knowledges influenced emergent scientific discourse.Intended for scholars of literature, gender, and science history, this book argues that Renaissance drama participates in natural philosophy's production of epistemological boundaries. The representation of preternatural phenomena not only demonstrates a belief in occult forces, but it also suggests that presumptions about women's secret knowledges influenced emergent scientific discourse.In this ground-breaking study, Mary Floyd-Wilson argues that the early modern English believed their affections and behavior were influenced by hidden sympathies and antipathies that coursed through the natural world. These forces not only produced emotional relationships but they were also levers by which ordinary people supposed they could manipulate nature and produce new knowledge. Indeed, it was the invisibility of nature's secretsor occult qualitiesthat led to a privileging of experimentation, helping to displace a reliance on ancient theories. Floyd-Wilson demonstrates how Renaissance drama participates in natural philosophy's production of epistemological boundaries by staging stories that assess the knowledge-making authority of women healers and experimenters. Focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All's Well That Ends Well, The Changeling, and The Duchess of Malfi, Floyd-Wilson suggests that as experiential evidence gained scientific ground, women's presumed intimacy with nature's secrets was either diminishedlƒò
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