This 2004 volume is an accessible introduction to Rossellini's Rome Open City.Roberto Rossellini's Rome Open City instantly, markedly, and permanently changed the landscape of film history. Made at the end of World War II, it has been credited with initiating a revolution in and reinvention of modern cinema. This volume offers a fresh look at the production history of Rome Open City, some of its key images, the complexity of its political dimensions, and the legacy of the film in public consciousness. It serves as a well illustrated, up to date, and accessible introduction to one of the major achievements of filmmaking.Roberto Rossellini's Rome Open City instantly, markedly, and permanently changed the landscape of film history. Made at the end of World War II, it has been credited with initiating a revolution in and reinvention of modern cinema. This volume offers a fresh look at the production history of Rome Open City, some of its key images, the complexity of its political dimensions, and the legacy of the film in public consciousness. It serves as a well illustrated, up to date, and accessible introduction to one of the major achievements of filmmaking.Roberto Rossellini's Rome Open City instantly and permanently changed the landscape of film history. Made at the end of World War II, the film has been credited with initiating a revolution in and reinvention of modern cinema. This volume offers an original overview of the production history of Rome Open City; some of its key images, the complexity of its political dimensions, and the legacy of the film in public consciousness. It serves as an accessible introduction to one of the major achievements of filmmaking.Introduction: Open City: reappropriating the old, making the new Sidney Gottlieb; 1. Rossellini, Open City, and neorealism Sidney Gottlieb; 2. The making of Roma citt? aperta: the legacy of fascism and the birth of neorealism Peter Bondanella; 3. Celluloide and the palimpsest of cinematic memory: CarllÓ$