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The Free Fantasia and the Musical Picturesque [Paperback]

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  • Category: Books (Music)
  • Author:  Richards, Annette
  • Author:  Richards, Annette
  • ISBN-10:  0521027535
  • ISBN-10:  0521027535
  • ISBN-13:  9780521027533
  • ISBN-13:  9780521027533
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  272
  • Pages:  272
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2006
  • Pub Date:  01-May-2006
  • SKU:  0521027535-11-MPOD
  • SKU:  0521027535-11-MPOD
  • Item ID: 100907681
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Jan 19 to Jan 21
  • Notes: Brand New Book. Order Now.
This book explores the 'picturesque' in the music of Bach, Haydn, and Beethoven.This book brings together music and visual arts, especially the art of landscape gardening, in the context of late eighteenth- and early nineteenth-century English and German culture. The aesthetic of the picturesque, derived from the controlled wilderness of the landscape garden, provided writers on music with a language in which to describe the musical genre of the free fantasia, and the picturesque emerges here as a vital means for understanding the fantastical elements in the music of C. P. E. Bach, Haydn, and Beethoven.This book brings together music and visual arts, especially the art of landscape gardening, in the context of late eighteenth- and early nineteenth-century English and German culture. The aesthetic of the picturesque, derived from the controlled wilderness of the landscape garden, provided writers on music with a language in which to describe the musical genre of the free fantasia, and the picturesque emerges here as a vital means for understanding the fantastical elements in the music of C. P. E. Bach, Haydn, and Beethoven.This book brings together music and visual arts, especially the art of landscape gardening, in the context of late eighteenth- and early nineteenth-century English and German culture. The aesthetic of the picturesque, derived from the controlled wilderness of the landscape garden, provided writers on music with a language in which to describe the musical genre of the free fantasia, and the picturesque emerges here as a vital means for understanding the fantastical elements in the music of C. P. E. Bach, Haydn, and Beethoven.List of figures; Acknowledgements; 1. Framing the musical picturesque; 2. C. P. E. Bach and the landscapes of genius; 3. The picturesque sketch and the interpretation of instrumental music; 4. Haydn's humour, Bach's fantasy; 5. Sentiment undone: solitude and the clavichord cult; 6. Picturesque Beethoven and the veiled Isis; SelelĂ-
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