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The Radical Aesthetic [Paperback]

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  • Category: Books (Philosophy)
  • Author:  Armstrong, Isobel
  • Author:  Armstrong, Isobel
  • ISBN-10:  0631220534
  • ISBN-10:  0631220534
  • ISBN-13:  9780631220534
  • ISBN-13:  9780631220534
  • Publisher:  Wiley-Blackwell
  • Publisher:  Wiley-Blackwell
  • Pages:  292
  • Pages:  292
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2000
  • Pub Date:  01-May-2000
  • SKU:  0631220534-11-MPOD
  • SKU:  0631220534-11-MPOD
  • Item ID: 100918828
  • Seller: ShopSpell
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  • Notes: Brand New Book. Order Now.
This ground-breaking new work offers a spirited and severe critique of the turn to an anti-aesthetic in theoretical writing and asserts that it has now become an intellectual necessity to rethink the aesthetic and remake aesthetic discourse.Introduction: A Case for Rethinking the Category of the Aesthetic.

Part I: The Hermeneutics of Suspicion and the 'Problem' of the Aesthetic:.

1. Cultural Materialism and Culturalism.

2. The Aesthetic and the Polis: Marxist Deconstruction.

3. Writing from the Broken Middle - Post Structuralist Deconstruction.

Part II: The Poetics of Emotion:.

4. Textual Harassment: the ideology of close reading, or how close is close?.

5. Thinking Affect.

Part III: Cultural Capital, Value and a Democratic Aesthetics:.

6. Beyond the Pricing Principle.

7. And Beauty? A Dialogue.

Part IV: Feminism and Aesthetic Practice:.

8. Debating Feminisms.

9. Women's Space: Echo, Caesura, Echo.

Bibliography.

Isobel Armstrong is professor of English at Birkbeck College, University of London. She has published widely on Shakespeare, Romanticism, Victorianism, nineteenth-century poetry, poetics, politics, theories of language and contemporary literary theory. She is co-editor of Women: A Cultural Review. Her most recent books include Victorian Poetry: Poetry, Poetics and Politics (1993) and the Oxford Anthology of Nineteenth-Century Women Poets (1996), edited with Joe Bristow.This ground-breaking new work offers a spirited and severe critique of the turn to an anti-aesthetic in theoretical writing and asserts that it has now become an intellectual necessil
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