This book is a collection of essays that capture the artistic voices at play during a staging process. Situating familiar practices such as reimagining, reenactment and recreation alongside the related and often intersecting processes of transmission, translation and transformation, it features deep insights into selected dances from directors, performers, and close associates of choreographers. The breadth of practice on offer illustrates the capacity of dance as a medium to adapt successfully to diverse approaches and, further, that there is a growing appetite amongst audiences for seeing dances from the near and far past. This study spans a century, from Rudolf Labans Dancing Drumstick (1913) to Robert Cohans Sigh (2015), and examines works by Mary Wigman, Madge Atkinson (Natural Movement), Doris Humphrey, Martha Graham, Yvonne Rainer and Rosemary Butcher, an eclectic mix that crosses time and borders.
1. Introductions; Lesley Main.- 2. Transmission: from archive to production. Re-imagining Laban - contemporizing the past, envisioning the future; Alison Curtis-Jones.- 3. Impure transmissions; traditions of modern dance across historical and geographical boundaries; Fabi?n Barba.- 4. Performing history: Wind Tossed (1936), Natural Movement and the hyper-historian; Maria Salgado Llopis.- 5. The TransmissionTranslation--Transformation of Doris Humphreys Two Ecstatic Themes (1931); Lesley Main.- 6. Transmission as Process and Power in Grahams Chronicle (1936); Kim Jones.- 7. Transmitting Trio A (1966): The Relations and Sociality of an Unspectacular Dance; Sara Wookey.- 8. Silent Transformations in Choreography-Making over Time: Rosemary Butchers Practice of Looking Back and Ahead; Stefanie Sachsenmaier.- 9. The Living Cultural Heritage of Robert Cohan; Paul R ló?
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