Postcolonial Audiences Readers, Viewers and Reception [Paperback]

Without readers and audiences, viewers and consumers, the postcolonial would be literally unthinkable. And yet, postcolonial critics have historically neglected the modes of reception and consumption that make up the politics, and pleasures of meaning-making during and after empire. Thus, while recent criticism and theory has made large claims for reading; as an ethical act; as a means of establishing collective, quasi-political consciousness; as identification with difference; as a mode of resistance; and as an impulsion to the public imagination, the reader in postcolonial literary studies persists as a shadowy figure. This collection answers the now pressing need for a distinctively postcolonial take on the rapidly expanding area of reader and reception studies. Written by some of the top scholars in the field, these essays reveal readers and reception to be varied and profoundly unstable subjects that challenge many of our assumptions and preconceptions of the postcolonial  from the notion of reading as national fellowship to the demands of an ethics of reading.

Introduction&nbsp;&nbsp;I.&nbsp;Real Readers/Actual&nbsp;Audiences&nbsp; 1. The politics of postcolonial laughter: the international reception of the New Zealand animated comedy series broTownMichelle Keown&nbsp; 2. Thats maybe where I come from but thats not how I read: Diaspora, Location and Reading Identities&nbsp;Bethan Benwell, James Procterand Gemma Robinson&nbsp; 3. Bollywood adolescents: young viewers discuss class, representation and Hindi films Shakuntala Banaji&nbsp;II. Readers and Publishers&nbsp; 4. Does the North Read the South? The international reception of South African scholarly texts Elizabeth Le Roux&nbsp; 5. William Plomer reading: The publishers reader at Jonathan Cape <l#&