Stephen Sondheim and Andrew Lloyd Webber The New Musical [Hardcover]

The New York Timescalled Stephen Sondheim the greatest and perhaps best known artist in the American musical theater, while two months earlier, the same paper referred to his contemporary, Andrew Lloyd-Webber as the most commercially successful composer in history. Whatever their individual achievements might be, it is agreed by most critics that these two colossi have dominated world musical theater for the last quarter century and hold the key to the direction the musical stage will take in the future.
Here in the third volume of Stephen Citron's distinguished seriesThe Great Songwriters--in depth studies that illuminated the musical contributions, careers, and lives of Noel Coward and Cole Porter (Noel & Cole: The Sophisticates), and Oscar Hammerstein 2nd and Alan Jay Lerner, (TheWordsmiths)--this eminent musicologist has taken on our two leading contemporary contributors to the lyric stage. His aim has not been to compare or judge one's merits over the other, but to make the reader discover through their works and those of their contemporaries, the changes and path of that glorious artform we call Musical Theater.
In his quest, Citron offers unique insight into each artist's working methods, analyzing their scores--including their early works and works-in-progress. As in Citron's previously critically acclaimed books in this series, great significance is given to the impact their youthful training and private lives have had upon their amazing creative output. Beginning with Sondheim's lyrics-only works,West Side Story, Gypsy, Do I Hear A Waltz?through his scores forSaturday Night, Company, Anyone Can Whistle, Follies, Pacific Overtures, A Little Night Music, Sweeney Todd, Merrily We RollAlong, Sunday In the Park, Into the Woods, Assassins, andPassion, all these milestones of musical theater have been explored. Lloyd-Webber's musical contribution from his early works,ThlӢ