A tale of forbidden love and inevitable death, the medieval legend of Tristan and Isolde recounts the story of two lovers unknowingly drinking a magic potion and ultimately dying in one another's arms. While critics have lauded Wagner's
Tristan and Isoldefor the originality and subtlety of the music, they have denounced the drama as a mere trifle --a rendering of Wagner's forbidden love for Matilde Wesendonck, the wife of a banker who supported him during his exile in Switzerland.
Death-Devoted Heartexplodes this established interpretation, proving the drama to be more than just a sublimation of the composer's love for Wesendonck or a wistful romantic dream. Scruton boldly attests that
Tristan and Isoldehas profound religious meaning and remains as relevant today as it was to Wagner's contemporaries. He also offers keen insight into the nature of erotic love, the sacred qualities of human passion, and the peculiar place of the erotic in our culture. His argument touches on the nature of tragedy, the significance of ritual sacrifice, and the meaning of redemption, providing a fresh interpretation of Wagner's masterpiece. Roger Scruton has written an original and provocative account of Wagner's music drama, which blends philosophy, criticism, and musicology in order to show the work's importance in the twenty-first century.
For those who wish to wrestle with religious and philosophical interpretations, Scruton provides ample grist and excellent analysis of the story and music. -
The Opera Journal This is possibly the best book ever written about
Tristan und Isoldefrom the dramatic as well as the musical point of view. Scruton does not leave a historical stone unturned without dusting and exposing it to the sunlight of his extraordinary power of synthesis. And his musical analysis is phenomenal. Even if you do not read music it has plenty to grab your attention. I would buy it just for the chapter on clÓ_