Interpreting Musicis a comprehensive essay on understanding musical meaning and performing music meaningfullyinterpreting music in both senses of the term. Synthesizing and advancing two decades of highly influential work, Lawrence Kramer fundamentally rethinks the concepts of work, score, performance, performativity, interpretation, and meaningeven the very concept of musicwhile breaking down conventional wisdom and received ideas. Kramer argues that music, far from being closed to interpretation, is ideally open to it, and that musical interpretation is the paradigm of interpretation in general. The book illustrates the many dimensions of interpreting music through a series of case studies drawn from the classical repertoire, but its methods and principles carry over to other repertoires just as they carry beyond music by workingthroughmusic to wider philosophical and cultural questions.
Lawrence Krameris Professor of Music and English at Fordham University. He is the author of many books, includingMusical Meaning: Toward a Critical History; Opera and Modern Culture; andWhy Classical Music Still Matters, all from UC Press.
Contents
List of Musical Examples
1. Hermeneutics
2. Language
3. Subjectivity
4. Meaning
5. Metaphor
6. History
7. Influence
8. Deconstruction
9. Analysis
10. Resemblance
11. Things
12. Classical
13. Modern
14. Works
15. Performance
16. Musicology
Notes
Index
Clear, trenchant, delightfully opinionated, and thick with virtuosic word play. This book will not disappoint. Nicholas Cook, author ofThe Schenker Project: Culture, Race, and Music Theory in Fin-de-siecle Vienna
Eloquently formulated and laced with wit. A major contribution to critical musicology. Derek B. Scott, author ofSounds of the Metropolis: The 19th-Century Popular Music Revolutil³E