Shakespeare in Performance Castings and Metamorphoses [Paperback]

These studies take stage history as a means of knowing the play. Half of the studies deal with casting - doubling, chorus and the crowd, the star of Hamlet and Measure for Measure. Then the transformations of dramatis personae are analyzed and The Tempestis viewed through the changing relationships of Prospero, Ariel and Caliban. Some of Shakespeares most original strategies for audience control are studied, such as Cordelia's asides in King Lear, Richard IIs subversive laughter and the scenic alternation of pleasure and duty in Henry IV. Performance is the realization of identity. The book draws on major productions up to 1992, just before the book was originally published.

Preface  1. Hamlet's Doubles  2. Doubling: Theory and Practice  3. Casting the Chorus  4. Casting the Crowd:Coriolanusin Performance  5. Casting Hamlet: Two Traditions  6. Lear's System and Cordelia's Aside: Leading the Audience  7. Laughter in King Richard II: The Subplot of Mood  8. Metamorphoses of the Audience  9. Dramatis Personae  10. Measure for Measure: Casting the Star  11. Within the Bermuda Triangle: Reflections on Recent Tempests  12. Falstaff's Space: The Tavern as Pastoral