This book focuses on the economic and social forces which shaped American theatre throughout its history.This book focuses on the economic and social forces which shaped American theatre throughout its history. Alone or as a collection, these essays, written by leading theatre historians and critics of the American theatre, will stimulate discussions concerning the traditionally held views of America's theatrical heritage.This book focuses on the economic and social forces which shaped American theatre throughout its history. Alone or as a collection, these essays, written by leading theatre historians and critics of the American theatre, will stimulate discussions concerning the traditionally held views of America's theatrical heritage.This is the first book to focus on the economic and social forces that shaped American theater throughout its two hundred and fifty year history. The collection of essays, written by leading theater historians and critics of American theater, represent a variety of methodologies and approaches. Arranged chronologically, the volume explores such topics as anti-theatrical legislation in Colonial America; the theater's response to slavery, prostitution, alcoholism, and women's rights; the significance of Black American musical comedy; women managers in nineteenth-century American theater; economic welfare in the Federal Theater Project; theater nostalgia during the Reagan era; and contemporary issues of multiculturalism in today's theater. This book will be of interest to scholars and students of American theater and social and cultural history.List of illustrations; Notes on the contributors; Preface Ron Engle and Tice L. Miller; Acknowledgements; Introduction: American theatre history scholarship Oscar G. Brockett; 1. The theatre and its audience: changing modes of social organisation in the American theatre Douglas McDermott; 2. Puritan mercantilism and the politics of anti-theatrical legislation in colonial America Peter A. Davis; 3lQ