This book studies the influence of the Crimean War (18546) on British literary culture.This book studies the influence of the Crimean War (18546) on British literary culture, this book explores how mid-Victorian writers and artists reacted to the original 'media war'. By looking at journalism, novels, poetry, and visual art, the book demonstrates the tremendous cultural force of this event.This book studies the influence of the Crimean War (18546) on British literary culture, this book explores how mid-Victorian writers and artists reacted to the original 'media war'. By looking at journalism, novels, poetry, and visual art, the book demonstrates the tremendous cultural force of this event.The Crimean War (18546) was the first to be fought in the era of modern communications, and it had a profound influence on British literary culture, bringing about significant shifts in perceptions of heroism and national identity. In this book, Stefanie Markovits explores how mid-Victorian writers and artists reacted to an unpopular war: one in which home-front reaction was conditioned by an unprecedented barrage of information arriving from the front. This history had formal consequences. How does patriotic poetry translate the blunders of the Crimea into verse? How does the shape of literary heroism adjust to a war that produced not only heroes but a heroine, Florence Nightingale? How does the predominant mode of journalism affect artistic representations of 'the real'? By looking at the journalism, novels, poetry, and visual art produced in response to the war, Stefanie Markovits demonstrates the tremendous cultural force of this relatively short conflict.Preface: the blossom of war; A brief history of the war: Part I. Rushing into Print: Journalism and the Crimean War: 1. 'The Times war'; 2. 'Mr. Russell's 'war''; 3. 'The people's war'; Part II. From Amyas Leigh to Aurora Leigh: Gender and Heroism in the Novels of the Crimean War: 1. Eastward ho?: the Kingsleys, the Crimel“µ