This book, first published in 2002, is a systematic overview of German aesthetics from 1750 to the present.This is the only available systematic critical overview of German aesthetics from 1750 to the present. The book begins with the work of Baumgarten and covers all the major writers on German aesthetics that follow, including Kant, Schiller, Schelling, Hegel, Nietzsche up to Heidegger, Gadamer and Adorno. The book offers a clear and non-technical exposition of ideas, placing these in a wider philosophical context where necessary.The market for this book will extend far beyond the domain of philosophy to such fields as literary studies, fine art and music.This is the only available systematic critical overview of German aesthetics from 1750 to the present. The book begins with the work of Baumgarten and covers all the major writers on German aesthetics that follow, including Kant, Schiller, Schelling, Hegel, Nietzsche up to Heidegger, Gadamer and Adorno. The book offers a clear and non-technical exposition of ideas, placing these in a wider philosophical context where necessary.The market for this book will extend far beyond the domain of philosophy to such fields as literary studies, fine art and music.This is the only available systematic critical overview of German aesthetics from 1750 to the present. The book begins with the work of Baumgarten and covers all the major writers on German aesthetics that follow: Kant, Schiller, Schelling, Hegel, Nietzsche, Heidegger, Gadamer and Adorno. It offers a clear and non-technical exposition of ideas, placing these in a wider philosophical context where necessary. Interest in this book extends far beyond the discipline of philosophy to those of literary studies, fine art and music.Preface; Part I. The Age of Paradigms: 1. Baumgarten, Mendelssohn; 2. Kant; 3. Schiller; 4. Schelling; 5. Hegel; Part II. Challenging the Paradigms: 6. Schopenhauer; 7. Kierkegaard, Nietzsche; Part III. Renewing the Paradigms: 8. Cassirer,ló˝