Essays examining the historical transition in our perception of the arts and philosophy.The eighteenth and nineteenth centuries witnessed a change in the perception of the arts and of philosophy, which were formerly regarded as practices possessing a proper method, but now came to be seen as practices allowing the pursuit of alternative styles. The essays in this book examine the circumstances, features, and consequences of this historical transition, exploring in particular new aspects and instances of the inter-relatedness of content and its formal representation in both the arts and philosophy.The eighteenth and nineteenth centuries witnessed a change in the perception of the arts and of philosophy, which were formerly regarded as practices possessing a proper method, but now came to be seen as practices allowing the pursuit of alternative styles. The essays in this book examine the circumstances, features, and consequences of this historical transition, exploring in particular new aspects and instances of the inter-relatedness of content and its formal representation in both the arts and philosophy.The eighteenth and nineteenth centuries witnessed a change in the perception of the arts and of philosophy, which were formerly regarded as practices possessing a proper method, but then came to be seen as practices allowing the pursuit of alternative styles. The essays in this book examine the circumstances, features, and consequences of this historical transition, exploring in particular new aspects and instances of the interrelatedness of content and its formal representation in both the arts and philosophy.1. The style of method: repression and representation in the genealogy of philosophy B. Lang; 2. Style in painting R. Wollheim; 3. Stylistic strategies in William Hogarth's theatrical satires M. K. Lindberg; 4. Style in architecture J. Mordaunt Crook; 5. Par le style on atteint au sublime: the meaning of the term style in French architectural theory of the late l#{