David Mamet is the author of the plays Oleanna; Glengarry Glen Ross, for which he won a Pulitzer Prize and a New York Drama Critics Circle Award; Speed the Plow; and Sexual Perversity in Chicago, among others. His films include, as screenwriter, The Postman Always Rings Twice, The Verdict, The Untouchables, The Edge, and Wag of the Dog, and as writer/director, House of Games, Homicide, Things Change, and The Spanish Prisoner. He is also the author of children's books and four books of essays, Writing in Restaurants, Some Freaks, The Cabin, and Make Believe Town; two novels, The Village and The Old Religion and a book on acting, True and False.What makes good drama? How does drama matter in our lives? In Three Uses of the Knife, one of America's most respected writers reminds us of the secret powers of the play. Pulitzer Prize–winning playwright, screenwriter, poet, essayist, and director, David Mamet celebrates the absolute necessity of drama—and the experience of great plays—in our lurching attempts to make sense of ourselves and our world.
In three tightly woven essays of characteristic force and resonance, Mamet speaks about the connection of art to life, language to power, imagination to survival, the public spectacle to the private script.
It is our fundamental nature to dramatize everything. As Mamet says, "Our understanding of our life, of our drama.... resolves itself into thirds: Once Upon a Time.... Years Passed.... And Then One Day." We inhabit a drama of daily life—waiting for a bus, describing a day's work, facing decisions, making choices, finding meaning. The essays in the book are an eloquent reminder of how life is filled lƒ-