This engaging book fascinates with its detailed reading of The O.C., its well-grounded theory, and its numerous insights into the multiple spaces of television programming. The authors trace the programs historical trajectory, and understand that the medium shapes and is shaped by the youth culture it speaks to.The O.C.: A Critical Understanding, by Lori Bindig and Andrea M. Bergstrom, is a feminist cultural studies analysis of the hit television series The O.C. (2003-2007). The show is examined in terms of five ideological aspects as well as audience reception, auteur theory, aesthetics, and reality television imitators. Bindig and Bergstrom place The O.C. in a larger social context and explore the potential ramifications of popular media texts, as well as its lasting influence on media and culture.The O.C., A Critical Understanding, by Lori Bindig and Andrea M. Bergstrom, is a feminist cultural studies analysis of FOXs hit teen television drama The O.C. (2003-2007). Episodes of The O.C. are analyzed as a set of media texts that blur the boundaries between hegemonic and counter-hegemonic content. This analysis utilizes ancillary media such as director commentary in conjunction with content in order to understand how ideological content, in regards to gender, race, class, sexuality, and consumerism, is presented throughout the show. The O.C. is also examined in terms of audience analysis, auteur theory, aesthetics, and reality television spin-offs. Bindig and Bergstrom place The O.C. in a larger social context and explore the potential ramifications of popular media texts, as well as the series' cultural legacy which continues to resonate in media and culture.Part 1. Welcome to The O.C.: Understanding the Content and Audiences of The O.C.Chapter 1. IntroductionChapter 2. Youth and Media CultureChapter 3. My Life Just Doesn't Work Without You : How Gender Works in The O.C.Chapter 4. Angels and Demons: Depictions of Race and Class on The O.C.Chapter 5. Gay Dad Tl-