In his illuminating new work, Gary Giddins explores the evolution of film, from the first moving pictures and peepshows to the digital era of DVDs and online video-streaming. New technologies have changed our experience of cinema forever; we have peeled away from the crowded theater to be home alone with classic cinema. Recounting the technological developments that films have undergone,Giddins is the ideal couch companion, erudite but relaxed and witty; his perceptive commentary shows that its not what you watch, its how you watch it.Witty, informed, insightful...Giddins writes with empathy and insight on such cinematic icons as Edward G. Robinson and Joan Crawford, paying close attention to the meanings of their mannerisms and their enduring fascination as creators of quirky behavior. The essays on directors Samuel Fuller and Sidney Lumet are shrewd appreciations of their cinematic styles; unlike most film reviewers, Giddins knows his way around visual language and uses his jazzy sense of verbal style to zero in on cinematic touches that convey a vision of the world.Most film fanatics I know keep several film guides within arm's reach of their home cinemas, then use supplementary texts by such writers as Peter Bogdanovich, Gerald Mast and Ephraim Katz. To this batch on my shelf, I have added[S]hould be in the knapsack or survival kit of every Golden Age Hollywood enthusiast/amateur scholar/completist queen as a standby Bible for instruction, inspiration, and succor.[Giddins'] first book wholly devoted to movies is the real deal, a deeply reflective work bristling with the kind of scholarship that also feels spontaneous.... Giddinss headlong sentences and rapid-fire associations sometimes remind me of Preston Sturges: the apparent chaos is under total control.A brilliantly insightful and witty examination of beloved and little-known films, directors, and stars by one of Americas most esteemed critics.