This classic in the literature of cinema represents the convergence of the three leading figures of French film: Jean Renoir, universally considered the greatest French director; André Bazin, the outstanding French film critic and theorist; and François Truffaut, the pioneer ofla nouvelle vague.Bazin left this examination of Renoir's films unfinished when he died in 1958; Truffaut collected and edited the essays, and added a comprehensive filmography in which Bazin, Truffaut, Jacques Rivette, Jean-Luc Godard, Eric Rohmer, and otherCahiers du Cinémaregulars comment on the films. Here are brilliant insights into the whole of Renoir'soeuvre,from the avant-garde fantasy ofLa Petite Marchande d'Allumettes,through the epic humanism ofGrand IllusionandThe Rules of the Game,to the quiet grace ofThe Riverand the profound theatricality ofThe Golden Coach.Bazin shows why Renoir is the critical figure in the development of cinema since the silent era, and how he went beyond montage to give the art new expressive potential. Renoir's work constitutes one of the most fully and beautifully elaborated visions in contemporary art, and nowhere is this humanistic vision better illuminated than in this book.
André Bazin (1918-1958)was a film critic forLe Parisien Libéré,the founder and editor ofCahiers du Cinéma,and director of cultural services at theInstitut des Hautes Etudes Cinématiques.Considered a father figure by the filmmakers of the ”new wave” of French cinema, he wrote dozens of important theoretical and critical essays on film, which are collected in the two volumes ofWhat Is Cinema?