This volume is designed to celebrate and re-assess the work of John Dryden (1631-1700) in the tercentenary year of his death. It assembles specially-commissioned essays by an international team of scholars who address Dryden's political writing, drama, and translations, his literary collaborations, contemporary reputation, and posthumous reception.
A note on contributors Introduction: Is Dryden a classic?,Paul Hammond Mac Flecknoe, Heir of Augustus,Howard Erskine-Hill Dryden's Milton and the theatre of imagination,Nicholas von Maltzahn Dryden and the staging of popular politics,Paulina Kewes Constructing classicism: Dryden and Purcell,Harold Love Dryden and Congreve's collaboration inThe Double Dealer,Jennifer Brady Alexander's Feast, or the Power of Music: The poem and its readers,Tom Mason and Adam Rounce Dryden, Tonson, and the patrons ofThe Works of Virgil(1697),John Barnard 'The Last Parting of Hector and Andromache',Robin Sowerby 'According to my Genius': Dryden's translation of 'The First Book of Homer's Ilias',James A. Winn The final 'Memorial of my own Principles': Dryden's alter egos in his later career,Cedric D. Reverand II Dryden and the dissolution of things: The decay of structures in Dryden's later writing,Steven N. Zwicker Editing, authenticity, and translation: Re-presenting Dryden's poetry in 2000,David Hopkins Appendix: Some contemporary references to Dryden,Paul Hammond Index