This book considers Keatss major poems as exercises in Romantic historicism. The poetrys rich allusiveness represents Keatss effort to reclaim the British canon for Cockney revisionism, and reveals Keats characteristically invoking the past to define his contemporary cultural politics. The book begins by discussing Keatss Cockney traditionalism in its Regency context and then proceeds through the poets career in chronological order. There are chapters on history and vocation in the poets first volume, the failed idealism of 'Endymion', gender and audience in the Medieval Romances, the 'Ode on a Grecian Urn' in historical context, secularism and consolation in the other great Odes, and then the two 'Hyperion' fragments, in which history ramifies beyond poetic method to become the explicit subject of inquiry. The result is a stimulating reassessment of Keatss intellectual development and most admired poems.
Preface.- 1. Keats and Romantic Historicism.- 2. History and Vocation in Poems (1817).- 3. The Idealism of Endymion.- 4. Keatss Medieval Romances.- 5. Beauty and Truth in Regency Britain.- 6. Secularism and Consolation in Three Odes.- 7. High Tragedy in the Hyperion Project.- Bibliography.-
William A. Ulmer is Professor of English at the University of Alabama, USA. He is the author of books on Percy B. Shelley and William Wordsworth, and of numerous essays on Romantic period texts and issues.This book considers Keatss major poems as exercises in Romantic historicism. The poetrys rich allusiveness represents Keatss effort to reclaim the British canon for Cockney revisionism, and reveals Keats characteristically invoking the past to define his contemporary cultural politics. The book begins by discussing Keatss Cockney traditionalism in its Regency context and then proceeds through the poetl³&
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