A major study of Kierkegaard and love exploring his description of love's treachery, difficulty, and hope.This is a major study of Kierkegaard and love. Amy Laura Hall explores Kierkegaard's description of love's treachery, difficulty, and hope, reading his Works of Love as a text that both deciphers and complicates the central books in his pseudonymous canon: Fear and Trembling, Repetition, Either/Or, and Stages on Life's Way. Hall argues that a spiritual void brings each text into being, and her interpretation is as much about faith as about love. Her scholarly and lyrical style makes this a poetic contribution to ethics and the philosophy of religion.This is a major study of Kierkegaard and love. Amy Laura Hall explores Kierkegaard's description of love's treachery, difficulty, and hope, reading his Works of Love as a text that both deciphers and complicates the central books in his pseudonymous canon: Fear and Trembling, Repetition, Either/Or, and Stages on Life's Way. Hall argues that a spiritual void brings each text into being, and her interpretation is as much about faith as about love. Her scholarly and lyrical style makes this a poetic contribution to ethics and the philosophy of religion.This major study of Kierkegaard and love explores Kierkegaard's description of love's treachery, difficulty, and hope. It reads his Works of Love as a text that both deciphers and complicates the central books in his pseudonymous canon: Fear and Trembling, Repetition, Either/Or and Stages on Life's Way. Amy Laura Hall argues that a spiritual void brings each text into being, and her interpretation is as much about faith as about love. Her scholarly and lyrical style makes this study a poetic contribution to ethics and the philosophy of religion.Introduction; 1. The call to confession in Kierkegaard's Works of Love; 2. Provoking the question: deceiving ourselves in Fear and Trembling; 3. The poet, the vampire, and the girl in Repetition with Works of Love; 4. The married mlƒ¿