In pop-music parlance, a ballad is a moderate- to slow-tempo number about love. The bass-baritone Johnny Hartman (192383) may be the all-time best ballad singer. During his life, he was nowhere near as renowned as Billy Eckstine, whose range he shared, or Frank Sinatra, whose intimacy and clarity of diction he equaled. Probably, as other musicians told Akkerman, he was constitutionally too shy, gentle, and quiet for stardom. But with saxophonist John Coltranes quintet, at its acme in 1963, he made one of the few universally appealing jazz albums. It made him an auditorium-packing headliner in Japan and, with a boost from Clint Eastwood via the Bridges of Madison County soundtrack, put him in the American jazz-singing pantheon. Although Lush Life was one of his signature pieces, Hartman lived neither lushly nor fast, so that Akkermans first-ever biography has no scandals, crimes, or even misdemeanors to report. Instead, its about the days and the achievements of a working musician and, despite some odd word choices, should thoroughly engross lovers of the Great American Songbook.Editors' Pick!Gregg Akkerman, director of jazz studies at University of South Carolina Upstate in Spartanburg, has made a crucial contribution to keeping Hartmans memory alive with this biography. Akkerman draws on extensive interviews, archives and his own sharp musical analysis to trace Hartmans Chicago origins, his time serving in both Earl Hines and Dizzy Gillespies big bands and the creation of the classic 1963 album John Coltrane And Johnny Hartman. The author also looks at the longstanding comparisons between Hartman and Billy Eckstine and shows why their supposed rivalry was a canard. ...Now students and fans of jazz vocals can hope that this book will lead to a proper reissue of Hartmans triumphant 1980 Bee Hive album, Once In Every Life, which contained all four of the Hartman songs that were included on the 1995 CD soundtrack to Madison County.Akkerman is a professional l,