This book explores the various connections between Law and Opera, providing a comprehensive, multinational, and multidisciplinary (with approaches from jurists, philosophers, musicologist, historians) resource on the subject. Further, it makes a valuable contribution to studies on law and the humanities. While, for example, the relationship between law and literature has been extensively researched, the relationship between Law and Opera remains largely overlooked. The book approaches the topic from three perspectives in three main sections: Law in Opera, Law on Opera, and Law around Opera.
Introduction
by Filippo Annunziata and Giorgio Fabio Colombo.- Part I Law in Opera: Scalia/Ginsburg: the Rhythm of the US Federal Supreme Court
by Francesca Benatti.- Exile and Identity: Findings of Fact and Opinions of Law in Bellini's
La Straniera by Louis Bertone.- Fiat iustitia et pereat mundus. The Tragic Conflicts of the Judge in
I due Foscari by Angelo Pio Buffo.- That may be Japanese law&but not in my country!. Marriage, Divorce and Private International Law in Giacomo Puccinis Madama Butterfly
by Giorgio Fabio Colombo, Masabumi Suzuki and Dai Yokomizo.- Crime, Prosecution and Justice in Verdis
Otello by Paolo Di Felice and Alessandro Accinni.- Le Nozze di Figaro and the Sunset of Ancien R?gime Legacy on Modern Legal Culture
by Elena Faletti.- Recurring Legal Issues in Italian Opera
by Silvia Ferreri.- Le nozze di Wolfgang: About the Meaning of Marriage in Mozarts Operas
by Cesare Fertonani.- The Depiction of Crimes in Puccinis Works
by Pietro Gandetto.- The Gesualdo Case in Contemporary Melodrama
by Giovanni Iudica.- Law and Fate in &lC1