By offering an analysis of the idea of home across the individual, interpersonal, social, and global scales, Mapping Home aims to show the extent to which self-concept is deeply tied to constructions of home in a globally mobile age. The epistemological link between dwelling as knowing oneself and the experience of welcome as key to being able to map one's place(s) in the world are examined through Martin Heidegger's concept of dwelling, Zygmunt Bauman's notion of liquid modernity, Jacques Derrida's exploration of hostile hospitality, and Kwame Anthony Appiah's sense of cosmopolitanism as border-crossing conversation. To further explore these ideas, the book draws on multimodal literature and films that span genres, including gothic horror, fantasy and science fiction, thoughtful comedies, and politically nuanced tragedies. The quality that deeply links the texts is their ability to illuminate the stabilities and mobilities through which home not only mediates but also integrates an individual's diverse experiences of belonging in different locations as well as on different geocultural scalesfrom the intimate household to the more abstract hometown or homeland and beyond.
1: Introduction
PART I: Home on an individual scale and the philosophy of learning to dwell
Chapter 2: Heidegger and dwelling
Chapter 3: The labyrinthine home in Mark Z. Danielewski's House of Leaves
Chapter 4: Homecoming in Neil Gaiman's Neverwhere
PART II: Home on an interpersonal scale and the economics of mobility
Chapter 5: Bauman and liquid modernity
Chapter 6: Roots and stability in M. Night Shyamalan's The Village
Chapter 7: Routes and mobility in Nicolas Dickner's Nikolski
PART III:l£@