Michael Powell and Emeric Pressburger collaborated in the creation of many remarkable British films including The Red Shoes, The Life and Death of Colonel Blimp, and A Canterbury Tale. While film scholars have known that Powell and Pressburger valued accuracy to enhance the power of their stories, a complete analysis of the neurological basis of one of their most memorable films, A Matter of Life and Death- American title-Stairway to Heaven (1946), has not been fully explored. This book will bring to light that scholarship interwoven into this powerful film.
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