Maurice Maeterlinck has been called the 'prodigal father' of modern theatre. As Rilke put it, he shifted theatre's center of gravity, replacing action with inaction, events with the eventless, and dialogue with an expressive semantics of silence. This study, the first in over a decade, traces the development of Maeterlinck's dramatic vision of extraordinary originality and depth.
Introduction Symbolist Beginnings La Princesse Maleineand Symbolist Theatre Maeterlinck, Mallarm??, and Symbolist Dramatic Theory Theatre and the Invisible Principle:Pell??as and M??lisande Using the Stage: the One-act Plays The Fecund Interval: 'Le Tragique quotidien' Conclusion Bibliography Index