Sorensen investigates the manner in which Chilean media and public culture discuss human rights violations committed during the dictatorship of General Augusto Pinochet (1973-1990) as well as human rights problems which still exist.Media, Memory, and Human Rights in Chile Television: Self-censorship, Sensationalism, and?Structured Absences Documentaries and Contested Historical Memories The Machuca Phenomenon Print Media: Significant Discourses if You Know Where to Look Public Protests: Responding to Silences and Omissions
Sorensen has produced a fascinating and important case study of the interplay of media, collective memory, and the search for accountability and meaning post-Pinochet Chile. Calling attention to the vital role that television, documentaries, and other media play in reflecting and shaping contested representations of a traumatic past, this book will be important for readers interested in transitional justice and the aftermath of authoritarian regimes in other historical contexts. - David Cohen, Director, Berkeley War Crimes Studies Center, University of California, Berkeley
An important work to understand the crucial roles that the media play in the construction of memories of traumatic political events. In her well- researched book, Sorensen skillfully analyzes how in a society in which competing memories co-exist, self-censorship persists, and the remains of fear are still present, human rights discourses are produced, circulated, and consumed within evolving political environments. - Susana Kaiser, Professor in the Department of Media Studies, University of San Francisco; Author of Postmemories of Terror; A New Generation Copes with the Legacy of the Dirty War
For Chilean journalists, the sixteen-year dictatorship ruled by General Augusto Pinochet was a long and hard nightmare. Never before, in almost 200 years of independent history, had the media and journalists of our country suffered so manylóÇ