Nicholas Miller re-examines memory and its role in modern Irish culture.In Modernism, Ireland and the Erotics of Memory Nicholas Miller re-examines memory and its role in modern Irish culture. Arguing that a continuous renegotiation of memory is characteristic of Irish modernist writing, Miller investigates a series of case-studies in modern Irish historical imagination. He reassesses Ireland's self-construction through external or 'foreign' discourses such as the cinema, and proposes new readings of Yeats and Joyce as 'counter-memorialists'. This original study will attract scholars of Modernism, Irish studies, film and literary theory.In Modernism, Ireland and the Erotics of Memory Nicholas Miller re-examines memory and its role in modern Irish culture. Arguing that a continuous renegotiation of memory is characteristic of Irish modernist writing, Miller investigates a series of case-studies in modern Irish historical imagination. He reassesses Ireland's self-construction through external or 'foreign' discourses such as the cinema, and proposes new readings of Yeats and Joyce as 'counter-memorialists'. This original study will attract scholars of Modernism, Irish studies, film and literary theory.Nicholas Miller re-examines memory and its role in modern Irish culture. Asserting that a continuous renegotiation of memory is characteristic of Irish modernist writing, he investigates a series of case-studies in modern Irish historical imagination. He reassesses Ireland's self-construction through external or foreign discourses such as the cinema, and proposes new readings of Yeats and Joyce as counter-memorialists. This original study attracts scholars of Modernism, Irish studies, film and literary theory.List of illustrations; Acknowledgments; Introduction. All history is local: Modernism and the question of memory in a global Ireland; Part I. The Erotics of Memory: 1. Lethal histories: memory-work and the text of the past; 2. A Pisgah sight of history: critical lc(