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Modernism, the Visual, and Caribbean Literature [Paperback]

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  • Category: Books (Literary Criticism)
  • Author:  Emery, Mary Lou
  • Author:  Emery, Mary Lou
  • ISBN-10:  0521117097
  • ISBN-10:  0521117097
  • ISBN-13:  9780521117098
  • ISBN-13:  9780521117098
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  304
  • Pages:  304
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2009
  • Pub Date:  01-May-2009
  • SKU:  0521117097-11-MPOD
  • SKU:  0521117097-11-MPOD
  • Item ID: 101427254
  • Seller: ShopSpell
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  • Delivery by: Jul 11 to Jul 13
  • Notes: Brand New Book. Order Now.
This ambitious study offers a comprehensive analysis of the visual in authors from the Anglophone Caribbean.This ambitious study offers a comprehensive analysis of the visual in authors from the Anglophone Caribbean. Mary Lou Emery analyses works by George Lamming, C. L. R. James, Derek Walcott, Wilson Harris, Jamaica Kincaid and David Dabydeen. This study is an original and important contribution to both transatlantic and postcolonial studies.This ambitious study offers a comprehensive analysis of the visual in authors from the Anglophone Caribbean. Mary Lou Emery analyses works by George Lamming, C. L. R. James, Derek Walcott, Wilson Harris, Jamaica Kincaid and David Dabydeen. This study is an original and important contribution to both transatlantic and postcolonial studies.Vision is a recurring obsession in the work of twentieth-century Caribbean writers. This ambitious study offers a comprehensive analysis of the visual in authors from the Anglophone Caribbean as they intersect with mainstream Modernism. While sound cultures have received more attention in studies of the Caribbean, this is the first to analyse acts of seeing, inner vision, and reflections on visual art. Mary Lou Emery analyses the art, theatre, and literature of the early twentieth century, including works by Edna Manley and Una Marson, then turns to George Lamming, C. L. R. James, Derek Walcott, Wilson Harris, and a younger generation including Jamaica Kincaid and David Dabydeen. She argues that their preoccupation with vision directly addresses philosophies of sensory perception developed at the height of the slave trade and emerges in conditions of diaspora continuing into the present. This study is an original and important contribution to transatlantic and postcolonial studies.List of illustrations; Acknowledgements; 1. Transfigurations; 2. Exhibitions/modernisms 19001939; 3. Exile/Caribbean eyes 19281963; 4. Ekphrasis/diasporic Caribbean imaginations 19602000; Conclusion; Notes; Bibliol3$
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