This book explores the moving qualities of mountains by utilising theories, ideas and processes which contribute to a larger understanding of these geological forms. In highlighting the fluid attributes of mountains the authors offer an alternative to the traditional approach of the sciences and the humanities, which address mountains as static geological or geographical features. The essays in this collection posit that movement impacts the relationship between society and mountains travelling landscape objects, constructing design and artistic translations, climbing and experiencing changing atmospheres and the different ways of seeing from mountain peaks and that physical, intellectual and spiritual motion is integral to their understanding. This innovative collection will be of great interest to scholars of geography, art, architecture, history, theology and philosophy.Preface; Tim Ingold.- Introduction; Emily Goetsch and Christos Kakalis.- Part 1 Performativity.- Chapter One: Deep and Dark Play in the Alps: Daring Acts and their Retelling; Jonathan Pitches.- Chapter Two: In the Shadow of the Mountain: Tracing the Hesychast Inhabitation of Mount Athos; Christos Kakalis.- Chapter Three: Reading Mountains: Performative Visual Language in 10th century Northern Iberian Monastic Communities; Emily Goetsch.- Chapter Four: Ecosophic Cartographies of Mount Pentelicon; Maria Mitsoula.- Part 2 Changing Perspectives.- Chapter Five: Climbing the Invisible Mountain: The Apse Mosaics at St. Catherines Monastery, Sinai and their Sixth Century Viewers; Andrew Paterson.- Chapter Six: How can be a Montagnard? Social and Political Expressions of Modern Imaginaries of Territoriality; Bernard Debarbieux.- Chapter Seven: A Difficult Line. The Aesthetics of Mountain Climbing 1871 - Present; Anja-Karina Nydal.-&nblóÁ