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Music and Ideology in Cold War Europe [Paperback]

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  • Category: Books (Music)
  • Author:  Carroll, Mark
  • Author:  Carroll, Mark
  • ISBN-10:  0521031133
  • ISBN-10:  0521031133
  • ISBN-13:  9780521031134
  • ISBN-13:  9780521031134
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  256
  • Pages:  256
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2006
  • Pub Date:  01-May-2006
  • SKU:  0521031133-11-MPOD
  • SKU:  0521031133-11-MPOD
  • Item ID: 100838702
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jan 19 to Jan 21
  • Notes: Brand New Book. Order Now.
Places the radicalization of art music in early post-war France in its broader socio-cultural and political context.This book places the radicalisation of art music in early post-war France in its broader socio-cultural and political context, pursuing two lines of inquiry. The first details the stances towards musical conservatism and innovation adopted by cultural strategists representing Western and Soviet ideological interests at the onset of the Cold War. The second, which draws upon the commentaries of Adorno and Sartre, recognises that the Cold War generated a heightened political awareness amongst French musicians precisely when the social relevance of avant-garde music had become the subject of widespread debate.This book places the radicalisation of art music in early post-war France in its broader socio-cultural and political context, pursuing two lines of inquiry. The first details the stances towards musical conservatism and innovation adopted by cultural strategists representing Western and Soviet ideological interests at the onset of the Cold War. The second, which draws upon the commentaries of Adorno and Sartre, recognises that the Cold War generated a heightened political awareness amongst French musicians precisely when the social relevance of avant-garde music had become the subject of widespread debate.This study analyzes the radicalization of art music in early post-war France in its broader socio-cultural and political context, pursuing two lines of inquiry. The first details the attitudes towards musical conservatism and innovation adopted by cultural strategists representing Western and Soviet ideological interests at the onset of the Cold War. The second, which draws upon the commentaries of Adorno and Sartre, recognizes that the Cold War generated a heightened political awareness among French musicians precisely when the social relevance of avant-garde music had become the subject of widespread debate.List of figures; Acknowledgements; Intrl£
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