Bringing together scholars who have critically followed New Formalism's journey through time, space, and learning environment, this collection of essays both solidifies and consolidates New Formalism as a burgeoning field of literary criticism and explicates its potential as a varied but viable methodology of contemporary critical theory. Foreword; Heather Dubrow Acknowledgements Notes on Contributors PART I: INTRODUCTION 1. New Formalism(s): A Prologue; Verena Theile PART II: THEORY 2. Toward a New Formalism: The Intrinsic and Related Problems in Criticism and Theory; Fredric V. Bogel 3. Doing Genre; Group Phi PART III: PRACTICE 4. Inventing an Ancestor: The Scholar-Poet and the Sonnet; Edward Brunner 5. From Close Reading to Cross-Reading: Sacco-Vanzetti Poetry and the Politics of New Formalism; Bartholomew Brinkman 6. Re-Reading for Forms in Sir Philip Sidney's Defence of Poesy ; Corey McEleney and Jacqueline Wernimont 7. Collecting Body Parts in Leonardo's Cave: Vasari's Lives and the Erotics of Obscene Connoisseurship; Harry Berger Jr 8. Form as a Pattern of Thinking: Cognitive Poetics and New Formalism; Karin Kukkonen PART IV: PEDAGOGY 9. Reading Like a Writer: A Creative Writer's Approach to New Formalism; Kelcey Parker 10. Punk Bodies, Jorie Graham, and the Draft Itself: Notes Toward a Lyric Formalism; Cynthia Nichols 10. 'One Another's Hermitage': New Formalist Pedagogy; Linda Tredennick Bibliography Index
Following on several prominent interventions announcing the arrival of a New Formalism, this collection takes a catholic view of that movement, emphasizing an aesthetic turn, a return to formalism that cooperates with historical and contextual analysis. It recognizes craft, acknowledging the experience of practitioners. It will be widely assigned and debated. - Suzanne Keen, Washington and Lee University, USA
This exciting collection of essays and manifesti reminds us of the form behind formalism : that il£x