This book retraces the African origins of African-American forms of worship. During a five-year period in the field, Pitts played the piano at and recorded numerous worship services in black Baptist churches throughout rural Texas. His historical comparisons and linguistic analyses of this material uncover striking parallels between Afro-Baptist services and the religious rituals of Western and Central Africa, as well as other African-derived rituals in the United States Sea Islands, the Caribbean, and Brazil. Pitts demonstrates that African and African-American worship share an underlying binary ritual frame: the somber melancholy of the first frame and the high emotion of the second frame. Pitts's revealing perspective on this often misunderstood aspect of African-American religion provides an investigative model for the study of diaspora cultural practices and the residual influence of their African sources.
A marvelous groundbreaking study....A delight to read...Highly recommended for...students and scholars of religious studies, cultural anthropology, ethnomusicology, and African American studies. --
Choice Undoubtedly, this is the best book in print on African American worship....It should be required reading....I am confident that all students of African American religion will be greatly indebted to Professor Pitts. --
Theology Today A fascinating and well-written book....Gives great insight into the religious life of Blacks in the South....An excellent example of how to study non-liturgical churches from a human sciences perspective. --
Expository Times